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The product arrived later than I like, but in reasonable time. It was also in excellent shape, and its contents was very informative.
This anthology is highly recommended for any writer desiring to write saleable mysteries.Writing Mysteries Outlining and point of view are also discussed. The section continues with how to keep a work schedule, and how to research and create background, location, and setting.The process involves the beginning, middle, and end of each story. The end portion of the process notes how important a plausible ending is to the story and how important it is that the writer know what the end of the story will be right from the beginning. Writing Mysteries is divided into three parts: Preparation, the Process, and Specialties.
Also important is how to revise the story, finding and working with an agent, and how to market the writer's next bestseller.Finally, specialty mysteries such as short stories, medical and legal thrillers, historical, true crime, and young adult are addressed.Not only will the reader of this marvelous compilation glean a wealth of important information geared toward their success as a writer, they will sit at the feet of talented well-known published writers of mysteries, thrillers, and true crime novels.Sue Grafton successfully entered the field of mystery writing in 1982, and from her experience has gathered an incredible treasure trove of information. Character development plays an important role in establishing the beginning of a good mystery. Essays provided by over three dozen mystery authors include examples from their published works. There is much to learn writing in the mystery genre, and these masters freely give of their time and knowledge as they share the results of their experience. The preparation begins with how to bend, not break, the rules of mystery writing.
In the middle, the reader learns the art of writing convincing dialogue, pacing, suspense, including such plot devices such as clues and red herrings.
This is an excellent book for someone contemplating writing their first mystery as well as experienced mystery writers who want to improve their skills. Some of the short chapters are better than others, but I believe there are enough solid nuggets of info in these pages to improve just about any writer. There are 35 entries or chapters that range from how to create characters to marketing to dialogue--and everything else a mystery writer has to deal with. In this last section chapters focus on children's books, the short story, the medical and legal thriller, historical mysteries, true crime, and more.There's even a section where the writers pick their favorite books and authors. This is an easy-to-read collection of essays written by mystery writers. Authors include Lawrence Block, Michael Connelly, Tony Hillerman, Faye and Jonathan Kellerman, Ann Rule, Sara Paretsky, Bill Granger, and others. The sections include Preparation, The Process, and Specialties.
With the holidays approaching faster than I'd like, I need to wait until the 'dead' of January to start. I've skimmed through it, and it looks just like what I was hoping for. Grafton won't steer me wrong. I've always had a mystery novel floating around inside my head, so with my husband's encouragement, I thought I'd give it a whirl. Before I start, though, I want to make sure I really know what I'm doing, so I bought this book (no sense in getting a brand new copy if a used copy will do). My first impression is that this book will definitely give me the guidelines I've wanted, and I know Ms.
I highlighted perhaps a dozen relevant/useful passages in the entire 300-page book. For a better treatment - more concise and productive, and of better quality throughout - consider Hallie Ephron's "Writing and Selling Your Mystery Novel." I used this book as a way to refresh my perspective on a mystery novel after finishing a second draft. There are a handful of interesting ideas, but the biggest challenge I encountered is that the quality of the advice is entirely dependent on the author of each chapter - so, if what you want to learn about happens to have been written about by an average advice-giver, you're out of luck.
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